Bacewicz (1909–1969); Crumb (1929– )
Listening:
Bacewicz:
10 Etiud (1956): [TIMELINE ANALYSES]
I: Allegro non troppo
II: Vivace
III: Allegretto
IV
V: Andante
VI
VII: Giocoso
VIII
IX: Presto
X: Allegro
Crumb:
Makrokosmos, vol. I (1972) [LINK TO SCORE]
Part 1
1. Primeval Sounds (Genesis I), Cancer
2. Proteus, Pisces)
3. Pastorale (from the Kingdom of Atlantis, ca. 10,000 B.C.), Taurus
4. Crucifixus [SYMBOL], Capricorn
Part 2
5. The Phantom Gondolier, Scorpio
6. Night-Spell I, Sagittarius
7. Music of the Shadows (for Aeolian Harp), Libra
8. The Magic Circle of Infinity (moto perpetuo) [SYMBOL], Leo
Part 3
9. The Abyss of Time, Virgo
10. Spring-Fire, Aries
11. Dream Images (Love-Death Music), Gemini
12. Spiral Galaxy [SYMBOL], Aquarius
Shannon
Reading:
Carlton Gamer: “Current Chronicle.” [a concert review of the premiere of the Crumb] The Musical Quarterly, Vol. 59, No. 3 (Jul., 1973), pp. 462-473
Thomas Riis: “A Conversation with George Crumb”.AMRCJ 3, 1993 pp. 40–49
Judith Rosen: “Grażyna Bacewicz: Her Life and Works” (Digitized version at USC)
Mary Hellman: “Grażyna Bacewicz’s Ten Concert Etudes, 1956: An examination of etudes Nos. I, II, IV and VIII.” DMA document, University of Alabama
Ligeti (1923–2006); Bolcom (1938– )
Listening:
Ligeti:
Premier livre (1985):
Desordre
Cordes a vide (timeline)
Touches bloquees
Fanfares
Arc-en-ciel
Automne a Varsovie (timeline)
Deuxieme livre
Galamb borong (1988)
Fem (timeline) (1989)
Vertige (1990)
Der Zauberlehrling (1994)
En suspens (1994)
Entrelacs (1993)
L’escalier du diable (timeline) (1993)
Coloana infinita (1993)
Aimard
Bolcom:
[For interest, here’s the foreword to his rags, and his afterword to the Etudes]
Twelve New Etudes (1977–86) [LINK TO SCORE]
1. Fast, furious
2. Recitatif (timeline)
3. Mirrors
4. Scene d’opera
5. Butterflies, hummingbirds
6. Nocturne
7. Premonitions
8. Rag infernal (Syncopes apocalyptiques)
9. Invention
10. Vers le silence (timeline)
11. Hi-jinks
12. Hymne a l’amour (timeline)
Hamelin
Reading:
György Ligeti: “On my etudes for piano”. Sonus 9/1 1998 pp. 3–7
Stephen Taylor: “Chopin, pygmies, and tempo fugue: Ligeti’s Automne a Varsovie”. MTO 3/3 1997.
Allan Kozinn: “RECORDINGS; How the Spell Was Broken for Bolcom’s ‘Etudes’“. The New York Times. July 31, 1988, Sunday, Late City Final Edition.
“William Bolcom wins 1988 Pulitzer Prize for Music“. PR Newswire. April 4, 1988, Monday.
